I
Monte Carlo,
New York, New York
Built in 1854,
this spire with crows,
tight jeans and
rusted coasters.
Smells of eggs,
donuts,
salty chips.
Single boat stranded,
afloat on the sand,
grand blue boat, tilted.
Reflection of council flats
in wet holes.
Thick haze, thinner there,
water and sky, immersed
in each other’s
emptiness.
Throw a penny,
make a wish, to
last a thousand years.
Give way to
emergency
lifeboat vehicle.
II
Obviously she’s pregnant,
and she’s got two young boys.
Isle of Grain, smokestacks,
King’s North
power station.
There are other ways to do it
other than self sacrifice.
AS PANESTAR. RIP.
Scrawled on a blue bench,
since the Romans,
we’ve liked to scrawl
on blue benches,
garden walls.
Each other.
Rush of cold air, slick ripples
of encroaching sea.
Glistening.
Artificial.
Big bird chases the little bird,
tiresome taunting of tiny wings,
worm hanging from it’s beak,
they dip, the birds, perpendicular
to the horizon and
disappear.
Finally the gull desists and surrenders to the wind,
sits calmly in the shallow puddle, and waits.
III
Sir John Betjeman trundles past,
the pier is Southend,
Southend is the pier.
Over lichen-green boards,
black tubing stained with white
defecation.
Orange haze, hulking arms and the
black husks of
warehouses,
on the horizon
smoke merges
with cloud.
Stories of the birds,
the crow and the sea-bird,
the crow waits for his
long-beaked rival.
Peeks in holes,
follows, bobbing.
Deck boards may be slippery.
IV
Access forbidden to all unauthorised persons,
etched, underneath, several minutes of work,
“PEOPLE.”
People gathered at the pier point,
the pier’s point,
an angular glass building,
abstract and jutting into the sky,
with the usual metal tables,
gaggles of people holding hot drinks
with cold hands.
Sit down, all aboard, you’ve spent your money,
given some pennies to the lifeboat,
insulted the staff,
grinned at the setting reflection of the sun,
now go home,
take your ugly children and go home.
Your duties are done.
V
PSYCHIC SARAH SAYS, “NOT YET.”
Blinking amusements, steady income,
five pounds a day, per machine,
every day since 1985.
Books for 75p,
coin fingers,
the smells of the past,
scraps of Victoria,
gentility, slammed
against eighties
metallic
vulgarity.
Glowing signs.
Bowling alleys.
Time to go home.
Yep pretty much sums it up!
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Beautiful words! A place that inspires as much disgust as it does nostalgia and romanticism.
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Thankyou, glad you enjoyed it 🙂 It’s one of the longest poems I’ve written, and I’m glad I managed to get that juxtaposition across.
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You did, and to be honest I never really realised that the seaside was indeed such a paradoxical place!
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i can smell it
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I’m glad, it smelled nice and bad at the same time. Smell is an important sense, especially when it comes to re-imagining/imagining a place, don’t you think?
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Indeed! We overlook our noses to our detriment, wouldn’t you say?
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I’ve loved smelling weird stuff, like towels and petrol and sewage, since I was a young’un. So yes. I’d agree. Even bad stuff smells.
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Excellent.
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Thanks! Cheers for stopping by, glad you enjoyed the poem 🙂
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Cool. Very nice.
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